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Silvestro di Ganassi dal Fontego, also given as Sylvestro di Ganassi dal Fontego, Silvestro Ganasi dal Fontego, and Silvestro dal Fontego (1 January 1492 – mid-16th century) was a Venetian musician and author of two important treatises on instrumental technique. His first treatise covers recorder playing: ''Opera intitulata Fontegara'' (Venice, 1535). His second (in two volumes) is about the viola da gamba: ''Regola Rubertina'' (Venice, 1542) and ''Lettione Seconda'' (Venice, 1543). They cover both technicalities of playing and the subtleties of expression. There is also guidance on ornamentation—''passaggi''. The revival of interest in historically aware musical performance has resulted in renewed interest in Ganassi's writings. His treatises are now available in modern editions. ==Viol technique== Ganassi's ''Regola Rubertina'' is among the earliest sources of advice to the viol player on how to hold the bow.〔Crum (1989), section 2.6, pp.80-1〕 In Chapter III, Ganassi says:
The illustration from ''Regola Rubertina'' (lower right, opposite) appears to show this hold. Some interpretations of this passage conclude that the bow is to be held without touching the hair,〔Crum (1989), p.81〕 whereas in later bow-holds the fingers tension the hair in order to allow louder or accented playing without the stick of the bow hitting the string. In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:
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